Go, tell it on the mountainOver the hills and everywhereGo, tell it on the mountainThat Jesus Christ is born!While shepherds kept their watchingO’er silent flocks by nightBehold throughout the heavensThere shone a holy lightGo, tell it on the mountainOver the hills and everywhereGo, tell it on the mountainThat Jesus Christ is born!The shepherds feared and trembledWhen lo! Above the EarthRang out the angel chorusThat hailed our Savior’s birthGo, tell it on the mountainOver the hills and everywhereGo, tell it on the mountainThat Jesus Christ is born!Down in a lowly mangerOur humble Christ was bornAnd God sent us salvationThat blessed Christmas mornGo, tell it on the mountainOver the hills and everywhereGo, tell it on the mountainThat Jesus Christ is born!
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While shepherds kept their watching o’er silent flocks by nightBehold throughout the heavens there shown a holy lightGo tell it on the mountain over the hills and everywhereGo tell it on the mountain that Jesus Christ is bornThe shepherds feared and trembled when low above the earthRang out the angel chorus that hailed our Saviour’s birthGo tell it on the mountain over the hills and everywhereGo tell it on the mountain that Jesus Christ is bornYou may also like:“Go tell it on the mountain” Music Score with chordsTo save this music score to your computer, right click and choose “Save Image As”. “ Go tell it on the mountain” Free Printable PDF with lyrics and music sheetTo download a ready-to-print PDF of “Go tell it on the mountain” for music activities with a music sheet, lyrics and a colouring sheet for kids, right click (or tap and hold, on mobile devices) on the following link, then choose “Save link as”.“Go tell it on the mountain” Karaoke Video“Go tell it on the mountain” Teaching ideasSing the chorus “Go tell it on the mountain” by clapping the 2nd and 4th pulse of the bar.
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Composed in the mid 1800's as an African American spiritual song Go Tell It On The Mountain crosses boundaries between seasonal Christmas carol music and sacred church music used in many weekly services. The free sheet music provided here is available for all common concert band and orchestra instruments and is written to be as easy as possible to allow even young musicians to perform it.Go Tell It On The Mountain has taken many different forms over the years, being recorded by dozens of different artists, each placing their own unique style. The most popular of these renditions is an arrangement by the 60's group Peter Paul and Mary who rewrote the lyrics into a popular civil rights song with a similar title.
Refrain:Go, tell it on the mountain,over the hills and everywhere;go, tell it on the mountainthat Jesus Christ is born.1 While shepherds kept their watchingo’er silent flocks by night,behold, throughout the heavensthere shone a holy light. Refrain2 The shepherds feared and trembledwhen, lo! Above the earthrang out the angel chorusthat hailed our Savior‘s birth.
Refrain3 Down in a lowly mangerthe humble Christ was born,and God sent us salvationthat blessed Christmas morn. Adapter: John W. Nashville, TN, 1872; d.
Nashville, 1925), is well known for his pioneering studies of African American folk music and for his leadership in the performance of spirituals. He studied music at Fisk University in Nashville and classics at Harvard and then taught Latin, Greek, and history at Fisk from 1898 to 1923.
Go Tell It On The Mountain Music
Director of the Jubilee Singers at Fisk, Work also sang tenor in the Fisk Jubilee Quartet, which toured the country after 1909 and made commercial recordings. He was president of Roger Williams University in Nashville during the last two years of his life. Work and his brother Frederick Jerome Work (1879-1942) were devoted to collecting, arranging, and publishing African American slave songs and spirituals. Scripture References:all st. =Luke 2:8-20ref.=Matt.
28:19The text of this beloved spiritual was first published in Folk Song of the American Negro (1907), a study of African American folk music by John Wesley Work, Jr. The song may date back to earlier sources, but evidently the original text was lost.
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According to Edith McFall Work, widow of John Wesley Work, III:the verses of these songs were published by John Work, II, in place of the original ones which could not be found. In 1940 John Work, III, had the songs copyrighted and published at 215 in his book American Negro Songs.”-Companion to the United Methodist Hymnal, p. 360In American Negro Songs and Spiritual (1940), John Wesley Work, III, attributes the newer text to his uncle Frederick J. 'He may have composed it' the tune, wrote J. 'I know he composed the verses.'
John, III, recalled that when he was a child, the students at Fisk University began singing this before daybreak on Christmas morning, going from building to building. Later, his arrangement for use in choral concerts by the Fisk Jubilee Singers helped to popularize the spiritual.The refrain theme comes from Old Testament passages in which praise to God for his acts of deliverance was often shouted, both literally and metaphorically, from the mountaintops (Isa. While the three stanzas tell the essence of the Christmas story, the refrain underscores the missionary impetus of the Christian church: 'go and make disciples of all nations' (Matt. The 'go, tell,' which initially applied to the singers caroling on the university campus, is a signal for us to leave the comfortable confines of Christian worship and 'go, tell' the message of Christ's redemption to the whole world.Because of the spiritual's oral tradition, variants in text and melody exist. Magix music maker soundpool dvd collection 18 free download.
In the Bible, the mountain often represents the holy presence of God. Moses has to go up the mountain to receive the Ten Commandments and to see the Promised Land. In the Gospel, Jesus is transfigured on a mountain, an event signifying the full embodiment of the divine nature and holiness of Christ. In the Old Testament especially, the mountain is also a place that is set apart – not just everyone can go up the mountain to be in God’s presence. Psalm 24:3 asks, “Who may ascend the mountain of the LORD? Who may stand in his holy place?” God’s presence came down to the mountain, and the mountain was the barrier between the Israelites and God’s presence, much like the curtain in the temple dividing the people from the Holy of Holies.When Christ was born however, God’s presence came down to His people in a new form, in the helplessness of a baby.
And the story doesn't end there - Christmas points us to Easter, when Christ ripped the curtain in the temple and became the bridge between us and the Father, God’s holy presence in and among us. When Christ was transfigured, he had with him Peter, James and John. The glory of the LORD was no longer barred from His people.
The mountain is no longer a barrier between us and God, but a place to shout the good news of God’s presence among his people in the incarnation of Christ Jesus, to “Go Tell It On the Mountain.”. Text:No one is entirely sure who actually wrote the words of “Go Tell It On the Mountain” - the verses we sing today were likely written by John W. Work to replace verses that got lost from the original, but some also attribute the text to his brother, Frederick J. Once it first started to appear in song books, however, not much has changed about the text or the tune.
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Hymnals and most church settings keep the text much the same, with three stanzas and a chorus. The one slight text change that varies from hymnal to hymnal is the use of the word “stable” or “manger” in the third stanza. Some performance artists have taken liberties with the text to make it more their own, such as Peter, Paul and Mary in the 1960s, who changed the words to include Exodus and Civil Rights language to show their support for the Civil Rights Movement. Tune:The only tune used is GO TELL IT, also attributed to John Wesley Work, but adapted from an African-American spiritual that dates back to at least 1865.
There are a number of different styles this hymn could be arranged to. One of the most common is gospel, particularly with a choir supporting a soloist. The challenge with a gospel flavored version is keeping it accessible for the congregation to sing along. Jeanine Noyes offers a fun, catch version with a fairly accessible gospel feel. If your church has a soloist, he or she can improvise while the congregation repeats the chorus.Another popular style for this hymn is bluegrass. This works particularly well for a praise band with a mandolin or banjo player, but acoustic guitar works as well.
Needtobreathe, a Christian folk-rock band, has a particularly good version of the hymn that includes a bridge: “Hallelujah, hallelujah, Jesus Christ is born. Hallelujah, hallelujah, the Savior of the World.” When/Why/How:This hymn is most often used at the end of Christmas Day services – now that the congregation has been told the story of Christ’s birth, they are invited and encouraged to go out from there to tell that story.
It could also be used during Epiphany to remind us that now that Christ has been revealed to us, we must also make him known among the nations. The refrain of the hymn references many passages in Isaiah that echo the call to proclaim good news from the mountain.Suggested music:. Heider, Anne. For A Capella Choir. Schrader, Jack.
Blues style for Choir.
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